My rating: 4 of 5 stars
I don’t really like this book as much as some of the other Discworld novels. Of course, dislike is a relative thing–not liking a Discworld book is very different from not liking, say, a Stephen King book.
This novel has a very straightforward, linear plot. The easiness of this book is certainly due to its younger target audience. I found the climax to be rather anti-climatic, an event that just sort of happens as other things happen. Tiffany manages to defeat the threat that follows her through the entire book a bit too easily. This devalues the prior tension quite a bit. The relationship “twist” at the end is rather expected, but I was delighted to see it happen nonetheless. I would have been rather mad if Pratchett turned away from the implied romance, though was happy it wasn’t stuffed into the core narrative.
I find Pratchett is at his best when the plots are complex, the story is scattered and even a bit confusing at the start. The best books start out with you wondering for a bit what exactly is going on, but at the end all the threads come together. The Watch novels are probably the best example. This book lacks in such complexity.
Even so, the book does have some interesting things to say. Pratchett always uses his books to examine and satirize the real world. This is one of the things that makes his work so enduring. In that case of I Shall Wear Midnight, Pratchett digs at power relationships, hierarchy, and the concept of duty. At its center is the question of what it means to be a witch, and where such a person (or any person) falls into the established order. This question takes up most of Tiffany’s time, and results in the most relevant satire in the work.
In general, a decent book but more appropriate for the clear young adult target audience than for someone like myself. Not in my top ten of the Discworld novels, but a good effort.